If you’re like me, a shell shocked and forever wary Minneapolitan in the wake of the ICE siege, music and the Twin Cities music scene has been a balm, a respite, and a source of engagement and inspiration over the past few months — be it Bruce Springsteen and “Streets of Minneapolis” at First Avenue, Dropkick Murphys and “Who’ll Stand With Us?” at The Black Forest Inn, Patti Smith and “People Have the Power” at The Parkway Theater, or Jesse Welles and “Join Ice” at First Avenue, to name only a few.
To be sure, in the wake of the ICE OUT wars of the winter of ’26, much has been said about the Twin Cities and what fuels it politically, organizationally, and spiritually. But what has gone largely ignored by the visiting pundits and press is the organic organizing hub that is the local music scene. Musicians are natural on-the-ground organizers — of gigs, protests, compilation albums, and other helpful happenings, and here especially they’re ever-ready to throw the switch at a moment’s notice and book a gig, do a benefit, make a scene, gather, and lift broken hearts.
For decades here, music clubs have provided neighborhoods with meet-up spots, third spaces, and quasi-town halls: They’re where we talk between bands about the latest real-world injustices and then let the music take us away and go deeper. Healing medicine, always, and readily available, especially at weekly residencies at joints like Bunker’s, Berlin, The Schooner Tavern, Icehouse, the Driftwood Char Bar, the 331 Club, etc. There’s an ever-present and unmistakable underground energy pulsing, the same that fuels mutual aid organizing, and it starts in the clubs as much as it does in churches, union halls and campaign offices.
Related: ‘Streets of Minneapolis’: 32 protest songs inspired by the Twin Cities’ ICE resistance
Talk about your profiles in courage. As Daniel A. Leary told Mostly Minnesota Music about “On These Two Pauls,” his band Institutional Green’s contribution to the forthcoming Minnesota Music Resistance compilation “Big Hopes of Mid-America Volume Three”:
Institutional Green’s ‘On These Two Pauls’ is a tribute to the heroic efforts of recently departed ‘Front Row’ Paul Engebretson & his oft-times wingman photographer Paul Lundgren as well as the still-very-much-with-us scissor-man & scene-booster, Jon Clifford. [The] song was born out of our band’s respect and appreciation for all three of these fellas and their relentless scene boosterism.
The song begins with the line, it’s “not a matter of chance or destiny.” An assertion that actual happenings in this world occur because people show up and make them happen. That’s what Lundgren, Engebretson & Clifford did/do for our little piece of the universe. They took/take the initiative, they showed/show up for their community and their impact is still being felt, near and far.
The Pauls and Jon embody the self-organizing character of the Twin Cities music scene which shares its roots in the same community solidarity that makes our home a model for mutual aid and resilience movements. “This kinda town, still a few them left around.”
That’s the spirit. And in that spirit, and also in the spirit of documenting all of this meaningful music that’s been created and inspired by this singular moment — the likes of which I haven’t seen in my lifetime until now — here’s a follow-up from MinnPost’s first installment of protest songs, with more surely to come:
Joan Baez, “Wade in the Water”
“This is for the people of Minneapolis,” says Baez at the outset of this video, “who have set an example for the power of organized, peaceful, nonviolent resistance. With your unending courage in the face of this violent occupation, you are an inspiration to the world.” Then the iconic folk songwriter busts out this Harriet Tubman/Sweet Honey in the Rock spiritual, updated for the moment and sure to inspire a quiet singalong when Baez hits Minnesota Saturday for the No Kings Twin Cities protest (also featuring Bruce Springsteen, Maggie Rogers, and a slew of state, local and national leaders).
Chastity Brown, “Year of Twenty-Six”
From the always poignant Chastity Brown comes this brooding weeper, sung from the perspective of Renee Good’s wife, which cuts deep with its instantly relatable chorus of “I didn’t know I’d lose you today,” sung through choked-up tears. Or maybe that’s just me.
Dave Dvorak, “Made of Sunshine” and “Alex Got Something”
The co-leader of Minneapolis alt-roots-rockers Zoe Says Go distills the horrors of the Renee Good and Alex Pretti murders into poetically world-weary lyrics that lift-up both the victims of ICE and the city they died in. All the while questioning the humanity of a system and its soldiers-for-hire that killed them.
Gus The Bard, “GTFO: A Protest Song for Minneapolis (Anti-ICE Irish Folk Punk)”
A helluva shout-a-long from this heroic St. Paul staple. Everybody, now: “Remember the fallen, remember their names/May they fuel your fire and kindle a flame/As the truth, it unfolds like the light of the day/What’s buried comes back when the ICE melts away.”
Caitlin Cook, “For Renee”
A stop-you-in-your-tracks track that finds this Brooklyn-based artist communing with the memory of Renee Good, written with the heartbroken immediacy of the moment that cuts through to the listener on every repeated play.
Odin Scott Coleman, “A Song for Renee Good”
A banjo-driven story-song straight outta Los Angeles so ominous it could be a murder ballad from 1926 or 2026: Chilling and furious.
Jillian Rae, “Fuck ICE”
One of the first, and most primal, anthems written in the wake of Renee Good’s murder, this pop-rock “ode to my city and my neighbors” from multi-talented singer/songwriter Rae made for an impossibly catchy and cathartic call-and-response singalong at the Parkway Theater last month.
John Louis, “Unmarked Vans”
With a voice as wizened as the song’s topic, this hushed stunner was released the week after Renee Good was murdered, and remains one of the most timeless statements on the winter we’ve all lived through:
They’re sweeping the streets in unmarked vans
For anyone who looks Mexican
A young girl at home, watching TV
Wondering where her mom could be
Should’ve been home an hour ago
From her part-time job at the Home Depot
There’s a grocery store just down the street
But we can’t go out—there’s masked police
Let’s make due with what we have instead
It’s not great, but we’ll all get fed
If we stay inside we might make it through
Is that a helicopter hovering over the roof?
My country ‘tis of thee
Do you like what you see?
Sweet land of liberty
Is this how it’s supposed to be?
U2, “American Obituary”
Centered around The Edge’s sinister and raw punk guitar and Bono trilling “America will rise, against the people of the lies” this seemingly tossed-off classic is as haunting as it is hopeful.
Nils Lofgren, “No Kings, No Hate, No Fear”
The E-Street Band guitarist and ace songwriter delivers with a hypnotic drum circle and chorus that begs to be chanted at every anti-Trump and -ICE gathering from now until the end of their times — including Saturday’s “No Kings” march.
Jesse Welles, “Good vs. ICE”
I’ve seen online criticism about Welles since he first started posting his topical song clips, most of which gripe along the lines of “he’s not a good songwriter because he simply writes from the day’s headlines,” or — get this — it’s all AI. Welp, it says here that those keyboard critics have no idea how difficult it is to write a song that sounds so effortless and to-the-bone; he’s one of the best songwriters we’ve got and you can feel the human hurt and heart behind this, a riff on his terrific “Join ICE,” penned in the immediate aftermath of Renee Good’s murder.
Katy Vernon, “They Lie”
Fueled by a crunching back-up rock band and a fury that meets the moment with a fed-up deadpan delivery, beloved Twin Cities-based ukelele-wielding singer Katy Vernon coolly confronts ICE agents and the Trump regime with the straight-up truth about the liars in charge.
The Peace Poets, “I Am Not Afraid” (sung by the Minnesota Singing Resistance)
Sung with great resolve in the face of great fear, in Spanish and English: “I am not afraid/I will live for liberation because I know why I was made.”
Seth Staton Watkins, “Resistance Bells—Abolish ICE”
A proper rebel song from the Nova Scotia-based Watkins that goes a little something like:
Just another day for the hell brigade
Another body for the reaper
They say deny your eyes, well it’s comply or die
All hail the glorious leader
The banshee’s cry was heard through the night
For another precious martyr
How many need die for the changing tides
To bring the Lady’s mighty hammer
Oh, the battle’s just begun, Oh, there’s freedom to be won
In the shadow of a would-be king, Oh, resistance bells shall ring
Ike Reilly, Shane Reilly, Al Di Meola, Tom Morello, Rise Against, Bruce Springsteen, “Power to the People”
This finale singalong and jumpalong to the old John Lennon/Plastic Ono Band anthem was just one highlight from a mind-blowing and resistance-reviving concert at First Avenue, and one of the most memorable moments that storied room has ever hosted. Sing it!
Secret Rivers, “Let Your Heart Be A Whistle”
From a timely EP by KTM (the Minneapolis-based spoken word artist/educator Guante) and SEE MORE PERSPECTIVE (the St. Paul-based hip-hop and spoken word artist/educator) “One Does Not Simply Walk Into Minnesota,” the hopeful title track and “Let Your Heart Be A Whistle,” which begins:
And the stand up comedian laments: “Everyone is so sensitive these days. You can’t say anything any more.”
Secretary of Homeland Security Kristi Noem announces that she wants to ban visitors from “every damn country that’s been flooding our nation with killers, leeches, and entitlement junkies.” And the editorial board laments: “College students have a right to protest, but must be held accountable for their divisive rhetoric.”
MN representative (and Majority Whip of the US House) Tom Emmer lies, stating that “80% of the crimes being committed in the Twin Cities and Minnesota are being committed by Somalis.” And the public intellectual laments: “People are getting cancelled for the most trivial things these days. Careers are being destroyed over nothing.”
The president of the United States rants: “Ilhan Omar is garbage. Her friends are garbage. These aren’t people that work… They come from hell & do nothing but bitch. We don’t want them. Let them go back to where they came from.”
And the celebrity laments: “I hate politics. I don’t believe in either side, because if you’re on either side, you’re supporting division.”
Vice President JD Vance says: “It is totally reasonable and acceptable for American citizens to look at their next-door neighbors and say, ‘I want to live next to people who I have something in common with; I don’t want to live next to four families of strangers.’”
And the poet laments…
John Downing, “We Need All of Us”
From the gut and captured in the moment, like many of the best resistance songs, this connects from the get-go when it reminds, “We need all of us resisting/we need all of us.”
Curtiss A & Friends, “Walk Away Renee”
The Dean O’ Scream covers the Left Banke’s 1966 classic and sings it with so much feeling, you’re wiping tears at the first chorus. If there was any justice, this and all these songs would be on regular radio rotation in the Twin Cities and beyond.
The Minnesota Singing Resistance, “Our Love for Each Other Will Carry Us Through”
A song written to be sung with large groups, this one hits hard in the chest. Nothing short of a joy-in-resistance upper.
Cindy Lawson, “Burn”
A punk-rock rager befitting the times, this fire feminist blast of a benefit single for Dia Hablos Hoy and Monarca gives us all the shoutalong chorus of “Don’t believe the lies!” and confronts the likes of Trump, Bovino, Homan et al with roaring guitars, drums and vocals:
You kill what you don’t understand
Does it make you feel like more of a man
We’re the daughters of the witches you couldn’t burn
You stupid git you’ll never learn
Rapist con man pedophile
You’re front page news in the Epstein Files
You Nazi scum will die in prison
Because Minnesota fights against fascism
The Gated Community, “Hope to Hell”
A prayerful ode to the spirit of the Twin Cities, written as lawless paramilitary forces stalked our neighborhoods, this weary and wary tune from the veteran Minneapolis folk-rock combo provides a glimmer of a slice of light at the end of this very dark tunnel, proceeds from which benefit Minnesota Immigrant Rights Action Committee.
Roe Family Singers, “Blacked-Out Ford”
The washboard- and acoustic guitar-flecked music suggests a lilting little bluegrass ditty worthy of the Stanley Brothers or Carter/Cash from the ‘50s, while Quillan Roe’s lyrics are pure Minneapolis ’26, and well worth repeating:
When they’re not threatening your neighbors out on every city block
You can find them at the Hilton and the Target parking lot
They’re buying all their coffee at the local Caribou
While charging up their tear gas to spray on me and you
It’s clear the fascists want to send a message to our town
“If you try to stand up to us, we will gladly beat you down
“We’ll find out where you’re living and we’ll kick in your front door
And the last thing that you’ll ever see will be the blacked-out Ford”
But here’s the thing ‘bout bullies that drive the blacked-out Ford
They’re only strong in numbers when they gang up on the poor
So gather up your neighbors and surround them, hand in hand
Till they jump back in their blacked-out Fords
and fuck off from our land
Bonus: Compilation albums
Various Artists, “Melt ICE: Minnesota Artists United Against ICE”
A staggering number of of-the-moment songs, sounds, and sentiments, all made by “100+ Minnesota musicians against the occupation of federal agents terrorizing our communities and ripping families apart.”
Various artists, “Music for Good: A Mixtape for MN Mutual Aid”
Highlights abound on this benefit compilation to support Community Aid Network Minnesota, including Brass Messengers’ “Brass Forecast,” Tim Goodwin’s “What’s Good,” Liz Draper’s “Prayer for Mim in the Color Marigold,” Ted Hajnasiewicz’s “There Will Always Be a Song,” Suburban Muscle’s “Smile and Wave,” Louie Rhinestone’s “In Community We’re Stronger Than Fear,” and High On Stress with Dan Murphy’s “Tethered,” and many more.
Various artists, “Big Hopes of Mid-America Volume One”
Bouyed by Flamin’ Oh’s haunting and heartfelt “Strange Times,” this 30-track blast of songs and shredding goes hard with the likes of Jim Gruidl’s “Freight Train To a Better Tomorrow,” Cindy Lawson’s “I’m Loaded,” “The Buffalo Weavers’ “Hidden Falls,” Adam Levy’s “Tent City,” and many more.
Billy Bragg & The Minnesota Whistleblowers, “City of Heroes” b/w The Belfast Cowboys, “Southside”
Another great example of the Minnesota mutual aid mafia coming together: Legendary British songwriter and lifelong friend of Minneapolis Bragg bears horrific witness to what’s happening on the streets of Minneapolis and writes his searing anthem “City of Heroes.”
The day after its release, St. Dominic’s Trio performs “City of Heroes” live for the first time anywhere at the Driftwood Char Bar.
The next day, South Minneapolis-based Outta Wax Records contacts Billy with the idea of pressing a vinyl single of the tune and a deal is struck to re-record the song with a full band (St. Dominic’s Trio plus Walsh brothers and Cindy Lawson), backed by the Cowboys’ swinging ode to the ever-fertile and communal “Southside” for a limited-edition benefit release for Foothold Twin Cities. Coming soon…
Bonus: Merch table
Chris Mars T-shirt
The prolific painter and former co-founder of The Replacements’ contribution to the resistance is a T-shirt benefiting Foothold Twin Cities, writing on his merch page: “Our beautiful world can become a dark place when cruelty, injustice and rage fill lives and even the air with their dense smoke of despair, fear and hostility. The idea of Peace, the belief in a preponderance of Good, seems unattainable, imaginary even.
“There are forces at play in my home state of Minnesota that are much larger and more destructive than us individuals may fuel we can bear, counterbalance or combat. Or so it seems, because us indviduals also come together to become more medicinal than any threats, brighter than any darkness, capable of creating Peace in excess of the chaos times a hundred thousand.”




