GoPro has recently unveiled its brand new Mission 1 series of action cameras, which includes the Mission 1 and the Mission 1 Pro iterations.

As GoPro claims the series sports the “world’s smallest, lightest, and most rugged 8K and 4K Open Gate cinema cameras”, what actually separates the Mission 1 Pro from the Mission 1? Should you choose one over the other based on what you’re shooting?

While we’re yet to get our hands on any of the GoPro Mission 1 series, we’ve assessed the specs of the cameras and noted the differences and similarities between the Mission 1 Pro and Mission 1 below.

We’ve also rounded up the best action cameras too. 

Price and Availability

At the time of writing, the exact pricing for the GoPro Mission 1 series has yet to be revealed. However, given its Pro moniker, we can reasonably expect the Mission 1 Pro will be more expensive than the Mission 1. 

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The Mission 1 and Mission 1 Pro will both be available to pre-order from May 21st and will officially launch from May 28th. 

Both feature a 50MP sensor

We’ll start with a key similarity between the Mission 1 Pro and Mission 1, as both are fitted with a 50MP, one-inch sensor. According to GoPro, the new sensor features a larger surface area and larger native 1.6µm pixels and massive 3.2µm fused pixels, which should capture more light in darker environments. This sensor, combined with GoPro’s GP3 processor that promises better efficiency and thermal performance, is promised to “set a new performance bar for compact cinema cameras”.

GoPro Mission 1 line-up
GoPro Mission 1 series. Image Credit (GoPro)

In addition, the entire Mission 1 series is equipped with an AI Neural Processor Unit for video pixel processing and “stunning” low-light image performance too.

Of course, we’ll have to wait until we review the series to see how they measure up to GoPro’s claims. Having said that, they certainly sound like promising cameras.

Both promise over five hours of recording

Another similarity between the cameras is with their respective batteries, as both are equipped with an Enduro 2 cell, which is also compatible with Hero13 Black cameras too. In fact, the Mission 1 series can also work with the Hero13 Black Enduro battery too, although you should expect shorter run times compared to its own Enduro 2 cell. 

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Speaking of run times, GoPro promises the Mission 1 series deliver over five hours of recording at 1080p30 and over three hours at 4K30 too.

Both are waterproof up to 20m

Naturally as action cameras, it’s always good to know how durable a device really is. Fortunately, both the Mission 1 and Mission 1 Pro are promised to be waterproof up to 20m (or 66ft), without the need for any additional equipment or additional housing.

Not only that, but each camera is equipped with 13 capture modes, which includes an activity-specific underwater colour science and tuned-stabilisation in Dive Mode. So, not only can the cameras withstand submersion, but they should capture underwater scenes well too. 

GoPro Mission 1 Pro
Image Credit (GoPro)

GoPro Mission 1 Pro has a choice between Editions

While the GoPro Mission 1 comes as is, there are a few bundles available for the Mission 1 Pro. There’s the Mission 1 Pro Grip Edition which is bundled with a two-in-one grip and includes cold shoe mounts, 1/4-20 magnetic latch mounting and mounting fingers, while the Pro Creator Edition includes a Mission 1 Series Mod for I/O port expansion and built-in microphone, a Volta 2 Battery Grip and a Wireless Mic Complete kit too. 

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Finally, there’s the Mission 1 Pro Ultimate Creator Edition which doubles GoPro’s Fluid Pro AI gimbal, Wireless Mic Complete Kit, Light Mod 2 for portable lighting, and the Mission 1 Series Mod for I/O port expansion.

At the time of writing, we don’t know how much each Edition will cost. 

GoPro Mission 1 Pro has up to 8K60fps video capture

Although both are fitted with 50MP lenses, the Mission 1 Pro has a few additional tricks up its sleeve. While the Mission 1 offers 8K30 video capture, the Mission 1 Pro supports 8K60 and 1080p960 ultra-high frame rates too. 

In fact, the Mission 1 Pro promises to offer “category-leading” video resolutions, frame rates and slow motion, with GoPro promising the camera offers the “highest frame rates and slowest Slo-Mo rates in category”.

Otherwise, both cameras support 4K120 Open Gate, and promise 50MP image capture and better low-lighting performance too.

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Early Verdict

Both the Mission 1 and Mission 1 Pro undoubtedly sound like promising action cameras, thanks to their mighty 50MP sensors, decent batteries and water resistance. However, the Mission 1 Pro has the edge if you want so-called “category-leading” video resolutions, with support for 8K60 video capture. With that in mind, if that’s important to you then the Mission 1 Pro is the option to go for.

We’ll be sure to update this versus once we know the prices of the series, and when we get to test both cameras out.



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A new class-action lawsuit, filed on Monday by three teenage girls and their guardians, alleges that Elon Musk’s xAI created and distributed child sexual abuse material featuring their faces and likenesses with its Grok AI tech.

“Their lives have been shattered by the devastating loss of privacy, dignity, and personal safety that the production and dissemination of this CSAM have caused,” the filing says. “xAI’s financial gain through the increased use of its image- and video-making product came at their expense and well-being.”

From December to early January, Grok allowed many AI and X social media users to create AI-generated nonconsensual intimate images, sometimes known as deepfake porn. Reports estimate that Grok users made 4.4 million “undressed” or “nudified” images, 41% of the total number of images created, over a period of nine days. 

X, xAI and its safety and child safety divisions did not immediately respond to a request for comment.

The wave of “undressed” images stirred outrage around the world. The European Commission quickly launched an investigation, while Malaysia and Indonesia banned X within their borders. Some US government representatives called on Apple and Google to remove the app from their app stores for violating their policies, but no federal investigation into X or xAI has been opened. A similar, separate class-action lawsuit was filed (PDF) by a South Carolina woman in late January.

The dehumanizing trend highlighted just how capable modern AI image tools are at creating content that seems realistic. The new complaint compares Grok’s self-proclaimed “spicy AI” generation to the “dark arts” with its ease of subjecting children to “any pose, however sick, however fetishized, however unlawful.”

“To the viewer, the resulting video appears entirely real. For the child, her identifying features will now forever be attached to a video depicting her own child sexual abuse,” the complaint reads.

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The complaint says xAI is at fault because it did not employ industry-standard guardrails that would prevent abusers from making this content. It says xAI licensed use of its tech to third-party companies abroad, which sold subscriptions that led abusers to make child sexual abuse images featuring the faces and likenesses of the victims. The requests ran through xAI’s servers, which makes the company liable, the complaint argues.

The lawsuit was filed by three Jane Does, pseudonyms given to the teens to protect their identities. Jane Doe 1 was first alerted to the fact that abusive, AI-generated sexual material of her was circulating on the web by an anonymous Instagram message in early December. The filing says she was told about a Discord server by the anonymous Instagram user, where the material was shared. That led Jane Doe 1 and her family, and eventually law enforcement, to find and arrest one perpetrator.

Ongoing investigations led the families of Jane Does 2 and 3 to learn their children’s images had been transformed with xAI tech into abusive material.





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