For this Minneapolis nonprofit, a theater kid has become the boss


With college theater programs getting absorbed by other departments or eliminated altogether, you might think an advanced theater degree leaves graduates with few options. But for Signe Harriday, theater led to her new role as president and CEO of one of the Twin Cities’ oldest and largest nonprofits, Pillsbury United Communities. 

Harriday earned the position, announced June 23, after about 25 years with the organization, which runs a wide array of places and programs aimed at uplifting communities, from community centers to charter school oversight. 

Harriday previously acted, directed and taught with PUC’s Pillsbury House + Theatre before becoming its artistic producing director in 2021. She maintained those duties over the past year while also overseeing PUC’s social enterprises like KRSM Radio, Full Cycle Bike Shop and North News

Now, she brings her creativity into her new role steering the organization into the future. And she’s drawing on theater experiences for the job. 

“As a director and a producer, it is actually not my job to build the set, to design the set, to build the costumes, to even perform the show. It’s actually my job to inspire the greatest performance or the best idea in the room, and then help the team find a way to make that real,” Harriday said.

Harriday’s leadership approach aligns with her work as a community organizer and multidisciplinary artist. Outside of Pillsbury United Communities, she co-founded the Subversive Sirens, a Minnesota-based synchronized swimming team committed to equity, body acceptance, queer visibility and Black liberation. She is also a founding collective member of Rootsprings, a creative sanctuary for BIPOC artists, activists and organizers.

As a child, she dreamed of being a fire truck. “I think it is actually kind of like a little bit true about me throughout my entire life,” she said. “Don’t tell me what I can do. I’m going to show you what we can do.”

Her new role, she said, is a win for artists. “We’ve been saying for so long: We need artists as leaders in the right places, and we need people who are connected to the work to lead the work.”

Harriday graduated from St. Olaf College before earning her Master of Fine Arts in acting from the A.R.T. Institute for Advanced Theater Training – a joint program, currently on pause, of the American Repertory Theater, the Moscow Art Theatre and Harvard University.

“I just finished paying off my graduate student loans,” she said. “People tell me, ‘Oh you have such a great voice.’ I’m like, I paid for this.”

After school, she worked at Mixed Blood Theatre doing audience development and public relations alongside acting with the company.

PUC board chair Kaori Yamada said Harriday excels at casting a compelling vision and bringing people together around it. She watched Harriday’s work to expand the Pillsbury House + Theatre campus on Chicago Avenue, which culminated in the $5.7 million Pillsbury Creative Commons building. The new hub houses KRSM Radio and the theater’s specialized technical workforce development programs.

“I think she will continue to bring this organization into what it always has done, which is to innovate and be creative and listen to the needs of the moment,” Yamada said.

Harriday also helped Pillsbury United Communities navigate decisions surrounding North Market, a community grocery store in North Minneapolis, currently on hold. “We’re still working through what exactly it looks like, but obviously it takes a lot of strategic planning,” Yamada said.

As local arts groups manage ongoing financial challenges, Pillsbury House + Theatre’s home within a larger nonprofit organization has “helped us weather this tumultuous time,” Harriday said. “Our ability to radically pivot when we’ve needed to, both during COVID and during the global uprising, and Operation Metro Surge, and even during this moment of leadership transitions, that kind of longevity has allowed us to have nimbleness and agility.”

Still, she doesn’t expect the arts sector to emerge unchanged.

“I think that the arts ecosystem and the nonprofit sector will look different, and so will Pillsbury in the future,” Harriday said. “I couldn’t predict exactly what that will be, but I think it would be naive to think that with all the pressures and all the things that make this moment hard and challenging and difficult, that we will somehow be the same on the other side.”

Pillsbury House + Theatre is one of several local theaters participating in an upcoming roundtable about arts funding, press coverage, loss of venues and more. The event will be organized in the format of Frank Theatre’s “Frankly Speaking” series and held at Mixed Blood Theatre on July 8, 6-8 p.m. (free). More information here



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ZDNET’s key takeaways

  • Several mobile games are compatible with Android Auto.
  • The games all have simple touch-screen controls.
  • These are slow-paced, short-burst games. 

If you spend downtime in your car waiting for school pickup or during a lunch break, there’s a good chance you pass the time with mobile games. Here’s what you probably didn’t know: You could be playing some of those games on your car’s screen instead. A handful of popular mobile games are compatible with Android Auto, meaning you can play them in your car.  

Also: 4 Android Auto developer settings that make driving so much easier – how to enable them

You might have browsed your Android Auto apps and already seen the Gamesnacks app, which hosts several dozen light games that are not unlike early internet flash games. However, these games are more robust; they’re the same games you’d play on your phone, just on a bigger screen.

The catalog of Android Auto-compatible games isn’t huge, but it’s worth a look. None of these titles has complex controls or a steep learning curve, and all are perfect for short sessions. 

How to get started

To play on your car’s screen, you will need to install these games on your phone and have your vehicle in park. The good thing is, though, when you’re connected to your car and open the app on Android Auto, you can still use your phone for other things. This is ideal when you have a child in the car with you and need to pass the time, but don’t want to hand over your phone. 

Also: 4 Android Auto apps I highly recommend for your next road trip – beyond Maps and Spotify

I tried a quick run-through of the available games; while they didn’t run as smoothly as on my phone, they’re enough to play comfortably. Here’s a rundown of my favorites.

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Artie Beaty/ZDNET

Angry Birds Friends: I hadn’t played Angry Birds in years, but the slingshot-style gameplay was easy to pick back up. It works well on a car touchscreen, and the levels go by quickly. Since the game is actually on your phone, your progress saves, so you can keep going across multiple sessions. I enjoyed not just beating levels, but immediately replaying a level I had just beaten to get a higher score. 

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Beach Buggy Racing (1 and 2): Both versions of this cart-racing game feature colorful racers with very simple controls, making them the perfect games to kill 5 or 10 minutes. The tracks are filled with powerups, shortcuts, and other racers to beat (computer players, not online). I feel like this game takes more advantage of the bigger screen than any other on this list, and it’s the one that feels most like a “real” video game.

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Artie Beaty/ZDNET

Candy Crush Soda Saga: I’ve never been a fan of Candy Crush or its many versions or clones, but this is probably the most popular game available for Android Auto. The match-three gameplay is easy to pick up and play in short bursts, and it is relaxing to just zone out for a few minutes. Since the action is slower, it’s easy to play on a car screen than are games that require more movement.

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Artie Beaty/ZDNET

Also: I saw the future of Android Auto, and now Google has me dreading my own car

Farm Heroes Saga: This game is from the same developers as Candy Crush and functions the same way, you’re just matching fruit, vegetables, and water instead of candy. This game goes a bit beyond the standard match-three format, as it sometimes requires you to collect a specific number of a particular piece. I still enjoyed this game, I just gave the more popular name the nod first.





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